Are You Trying Too Hard?

by Ramesha Nani

free singing tipsA few years ago I read a quote from a great musician and composer of the 18th century whose name escapes me. He said “Those who don’t do too much, aren’t doing enough.” Even though I couldn’t figure out why, I remember feeling that he was wrong. Too much is simply too much!

Every worthwhile goal requires a huge amount of energy, concentration, and effort, but that most certainly doesn’t mean that there’s not room in the process for relaxation. In fact, we can’t concentrate deeply if we’re not relaxed. Our efforts will only generate increasing amounts of physical and mental tension, diverting our focus toward the strain, rather than keeping it on the task at hand.

In singing, relaxation is paramount! A tense throat will never produce strong, resonant, and reliable sounds. Even while doing one’s best to work on the many details of good vocal production, we need to allow room for relaxation. I remember once, during one of my voice lessons, my teacher told me “Remember to focus on this, and that, and also that…” After a few minutes she added “You’re thinking too much! Relax!” I felt like I couldn’t win! But later on I got what she meant: concentrate, but without tension.

Have you ever had the experience of being stuck on a problem and relaxing and letting it go, only to find the solution present itself, often in an unexpected manner? This process works well with singing. When you repeatedly fail to get the sound you want, it’s often a good idea to stop and take a break. You can free yourself of the physical and mental tension blocking your efforts with a short walk or deep breathing.

Performing singers need to include practicing relaxation as part of their vocal training. Why? Because of the all too common tendency to be nervous in front of an audience. Nervousness will trigger an already existing physical tension, noticeably compromising the vocal quality. Nervousness is not always easy to control, but the conscious practice of relaxing the body and mind and make that a habit significantly lessens its influence on our voice.

[If you want to learn how to deeply relax your body and throat, click here. If you need help with stage fright, read this article.]

An important part of vocal training for most singers is ridding the throat muscles of needless tension. Vocal relaxation is essential to being a truly good singer. Without it, most of the energy and focus is directed toward the throat, rather than on the music you’re sharing with your audience. It’s like trying to write an inspired poem with a defective pen: your focus is always on on the pen, rather than on the flow of inspiration.


https://www.facebook.com/vocalbliss/UPCOMING: Free vocal coaching on Facebook Live!

Join me for a LIVE event on my Facebook page called:

“SINGING FOR PEOPLE WHO ARE AFRAID OF SINGING”

When: Thursday, June 22 2017 at 11:30 PDT

Where: On my Facebook Page (please go there and like it if you haven’t yet!)

How to join: 

  1. ​Go to my Facebook page
  2. Like it and follow it
  3. Once that’s done, you will receive an invitation from me through Facebook to join the live broadcast on Thursday, June 22 at 11:30.

 

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How to Boost Your Chest Voice and Why

Incorrect use of the low rang is one of the most common issues that I run into in working with singers. Most women resist singing in their chest voice and tend to sing everything in their head voice. I believe this is because it’s easier and the quality of the tone is more ethereal and less masculine.

There are significant problems with this approach:

  1. The voice in the low range sounds weak and breathy
  2. It’s extremely difficult to sing low notes as they simply won’t come out!
  3. It’s impossible to sing loud in the low range. Volume decreases the lower you sing.
  4. The quality of the tone is often gravelly.

There can be other reasons for not wanting to use the chest voice, ones that are rooted in our emotions and psyche. I discovered this while helping public speakers develop a strong, resonant speaking voice.

A strong, yet relaxed speaking voice is deeply connected to self-confidence. Often those who speak with a breathy voice were told many times as a child to be quieter. They may have been told to not sing, or to just lip sync because they were judged to be inadequate singers. When working with these students and we touch on making their voices fuller, buried emotions are often released, revealing the deep connection between the voice and our emotions. Working on the voice acts as a catalyst to bring deeply rooted issues to the surface.

A full voice communicates clarity of expression and conviction. If it’s forced out it’s often perceived as revealing insecurity. A voice that is full, strong, resonant, and without strain, conveys an attitude of self-confidence that is not imposing and is without ulterior motive. This predisposes the audience to be more receptive to you and what you have to share.

For a singer, a full, resonant voice means a larger “bandwidth”, better suited to sharing energy and inspiration. The correct use of the chest voice ensures that inspiration is grounded, practical, and accessible by the audience. Fullness and volume are but one aspect of what you are offering to your audience. Remember to remain open to the flow of inspiration, which can only work unimpeded when you get the ego out of the way.

Learning to balance strength and self-confidence with selfless expression of inspiration is a constant process of fine-tuning and recalibrating our intentions as performers. The reward, however, is the growing, overwhelming realization that we are part of something much greater, and through singing, we can access this and share it with the world.


CHECK OUT MY LATEST VIDEO

How to REALLY Sing – How to Be a Charismatic Singer

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Let Music Talk to You

Are you familiar with Star Wars? It’s a series of seven sci-fi movies that tell the story of a small band of heroes (the archetypal good guys) fighting against a huge army led by an evil emperor on a campaign to conquer and rule the galaxy. The first three movies that were released starting in 1977 are fun, witty, and full of action. The characters show depth of feeling, courage, and many qualities that  resonate with us. The later three movies, although a lot more engaging from the perspective of technology and special effects, lack depth of humanity, making the characters and their experiences feel stilted, almost fake. Although the pictures dazzle the audience with incredible special effects, one leaves the theater with a sense of emptiness. Yes, the movie tells a story, but it does so without much feeling, much like the experience one can have reading a history book.

This is similar to the experience of hearing someone sing with a gorgeous, well-polished voice who lacks the ability to convey feeling. Feeling, not a perfectly trained voice, is what touches the heart.

Recently, my wife and I were in Switzerland visiting family. While there, we attended a Christmas concert performed by a family of seven singers called Gruppo Vocale Famiglia Sala. We had heard them before, but this time I had a greater appreciation for their ability to feel the music deeply together, to enter a timeless zone where they feel and breathe together, where they and the music become one entity. The church where they sang was packed and yet it was pin-drop silent. I could feel that the audience was captured and transported on wings of inspiration.

We had a chance to meet them personally last year. Beside their incredible talent, we saw many qualities they shared: an innate, child-like joy, deep love for one another and for what they do, and a sincere desire to inspire people with their music. Not much room for ego there!

I sincerely believe that this is the secret to a magnetic performance: to humbly tune into the music and our fellow performers, to try to feel and breathe together, and to remain open to what the music itself is guiding us to do, instead of egotistically using the music to show off our talent.

Truly inspired music creates a strong flow of energy. If we tune into it, it can take us and our audience soaring on wings of inspiration, upliftment, and joy. One song can completely change us, if we are receptive.

The great American scientist and botanist George Washington Carver wrote “Anything will give up its secrets if you love it enough.” Using our talents in service to music, supported by our deep love and sincere desire to tune into the music, will unlock for us the secret to deeply inspiring and magnetic performances that can transform us, our audience, the entire world.


 

CHECK OUT MY NEW VIDEOS

1) How to Sing in the Low Range

2) How to Sing in the Low-Medium Range

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3) How to Improve Your Singing Tone

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